In Eleanor Antins Video Art Minetta Lanea Ghost Story What Does the Ghost Represent?
Finding aid for the Eleanor Antin papers, 1953-2010
Annette Leddy and Emmabeth Nanol
Descriptive Summary
Title: Eleanor Antin papers
Appointment (inclusive): 1953-2010
Number: 2012.Yard.5
Creator/Collector: Antin, Eleanor
Physical Description: 36.73 Linear Feet (64 boxes, 2 film reels, 1 flat-file folder)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Eye Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Abstract: The papers of artist Eleanor Antin contain comprehensive documentation of her piece of work and piece of work processes throughout her career as a pioneer in the fields of conceptual, feminist, and functioning fine art. Included are all-encompassing correspondence, notebooks and sketchbooks, ephemera, thousands of photographs and negatives, and principal recordings of video, film, and audio works.
Request Materials: Request admission to the concrete materials described in this inventory through the catalog record for this collection. Click here for the access policy .
Linguistic communication: Drove textile is in English.
Biographical/Historical Annotation
A key effigy in the development of conceptual, feminist, and performance art, Eleanor Antin has created an influential trunk of work in an impressive range of media, including photography, improvised and theatrical performance, installation, film and video, drawing, writing, and sculpture. Often imbued with a tone of deadpan sense of humor, her projects deal yet with issues as serious and complex as gender, race, civilization, and identity.
Eleanor Antin was born in 1935 in the Bronx, New York, to Smooth immigrant parents. Her mother was an actress in Yiddish theater, and her father worked in the garment industry; both were agile in leftist politics. Antin was educated in New York at the Art and Music high school, City College, and the New School for Social Inquiry. She also studied interim. Later on a cursory stint as an extra, she returned to Urban center College to complete her caste; there she met poet-critic David Antin, whom she married in 1961.
Eleanor Antin shifted her focus in the 1960s from acting to conceptual object-text artworks when she was part of a circle of artists that included members of Fluxus. One such work of this phase is Claret of a Poet Box, consisting of an unassuming container that houses one hundred microscope slides bearing a driblet of blood from a writer; each author'due south name-including Allen Ginsberg, John Ashbery, and John Cage-is methodically listed on the inside of the box's hat.
The Antins moved permanently to San Diego in 1968, and the phase of Antin's work that involved conceptual photography and installation culminated in her signature piece 100 Boots (1971). Modeled on the literary formats of picaresque and serial novels, 100 Boots took the class of fifty-one movie postcards, mailed out periodically to members of the art world, that illustrate the epic tale of i-hundred rubber boots marching from Southern California to New York. Each postcard presents a snapshot of their trek as they walk through a farm, by oil rigs, visit a cemetery, or ride the Staten Isle Ferry on their fashion into Manhattan.
Starting time in 1972, Antin began to draw on her theatrical background in a series of works in which she performed every bit personas she had invented and written narratives for; soon she filmed these performances equally well. The explicit leftist-feminist turn of works such as The Adventures of a Nurse (1976) and Before the Revolution (1979) together with their layered humor and exuberant innovation, established her equally a pivotal figure in feminist film. Throughout the 1980s and 1990s, her piece of work frequently dealt with Jewish and Russian history, in addition to the plight of women in club. In the past decade, the setting for her work has moved further back in time, to ancient Rome.
The significance of Antin'southward work has been recognized by publications and exhibitions since the belatedly 1960s and early 1970s, and over the last four decades information technology has connected to shape the direction of subsequent generations of artists.
Administrative Information
Access
Open up for apply by qualified researchers except for audiovisual cloth that needs reformatting.
Publication Rights
Preferred Commendation
Eleanor Antin papers, 1953-2010, The Getty Research Institute, Los Angeles, Accession no. 2012.M.5
http://hdl.handle.net/10020/cifa2012m5
Conquering Data
Acquired from Eleanor Antin in 2012.
Processing History
Annette Leddy and Emmabeth Nanol candy and cataloged the collection in 2012, retaining Antin's original groupings every bit series.
Selected audiovisual material has been digitized and is available online . Access is bachelor only to on-site readers and Getty staff.
Digital Cloth
Selected audiovisual textile has been digitized and is available online: http://hdl.handle.net/10020/2012m5av . Admission is available only to on-site readers and Getty staff.
Related Archival Materials
Scope and Content of Collection
The Eleanor Antin papers certificate the artist'southward professional career, beginning with audio cassettes of her performances as an extra in the 1950s. Series I includes professional correspondence with fine art critics, curators, and artist-colleagues, such as Lucy Lippard or Brian O'Doherty. The notebooks in Series Two span iii decades and include notes, drafts, and sketches of all of Antin's works, offering insight into her composition process and her source material. Series III contains these same materials in a more developed or finished state, including completed screenplays, shooting scripts, and exhibition installation plans. Information technology also includes a number of unpublished works, including early poetry and experimental text works from the 1960s, and unpublished plays and performance plans from the 1970s and 80s. These projects are also documented by a very complete set of announcements in Series Half dozen, and reviews and press releases in Series VII. Several thousand photographs In Series VIII (approximately 1100 prints, yard slides, and several thousand negatives) document most of Antin's artistic output, including many destroyed and lost works from the 1950s and 1960s, rejected works from the 100 Boots series, and works that Antin pulled from circulation in the 1970s. Audiovisual materials in Series 9 bring these materials more than vividly to life and includes the master copies of Antin'due south video, pic, and audio works, many of which are not available elsewhere. Serial V contains piece of work by others, including verse, artist books, and many manuscripts of essays about Antin. Series IV contains personal and other miscellaneous items.
Arrangement
The papers are arranged in nine series: Serial I. Correspondence, 1965-2009, undated; Serial Ii. Notebooks, 1970-2001, undated; Series Iii. Projects, circa 1965-2009; Series IV. Personal/Miscellaneous, 1973-2008, undated; Series V. Work by others, 1962-2010, undated; Series Vi. Ephemera, 1960-2010, undated; Serial VII. Reviews and Press Releases, 1965-2009; Series VIII. Photographs, 1965-2007, undated; Serial Ix. Audiovisual and digital materials, 1953-2010.
Indexing Terms
Subjects - Topics
Conceptual Art
Functioning fine art -- United States
Feminism and art -- U.s.
Women artists -- Athenaeum
Genres and Forms of Material
CD-Rs
Audiocassettes
Acetate film
Videodiscs (video recording disks)
Videocassettes
Audiotapes
Contributors
Acker, Kathy, 1948-1997
Antin, David
O'Doherty, Brian
Lippard, Lucy R.
Antin, Eleanor
Container List
Series I. Correspondence, 1965-2009, undated
Concrete Description: 2.92 Linear Feet (vii boxes)
Scope and Content Note
Correspondence regards primarily the production, presentation, and reception of Antin'southward work. Antin's letters are characterized by detailed descriptions of situations and people and a boisterous insistence on recognition. A memorable missive berates and threatens the faculty of the University of California, San Diego, for existence reluctant to hire her. Where letters from the 1970s reverberate Antin's struggle to gain credence and acclaim for her piece of work, letters from the later decades are more concerned with organizing exhibitions and screenings.
Arrangement
Arranged by decade, and within each decade in alphabetical guild by the correspondents' last names and may include letters sent and received. Cards are arranged by date but, as the correspondents are generally not identifiable.
box 1, folder 1
A, 1972-1975
box 1, folder two
Acconci, Vito, undated
box 1, folder three
Agee, Pecker, undated
box 1, folder 4
Albright, Thomas, 1972
box 1, folder five
Art in America, 1971-1973
box 1, folder 6
Art News undated
box 1, folder vii
B, 1969-1974
box 1, folder 8
Baker, Betsey, undated
box ane, folder 9
Baldessari, John, 1972
box 1, folder ten
Brown, Lee, 1975
box i, folder 11
Canepa, Anna, undated
box 1, binder 12
CAYC (Centro de Arte y Comunicacion), 1972-1973
box 1, folder 13
Celant, Germano, 1974
box i, folder 14
Conant, Howard, 1977
box one, folder 15
Constable, Rosalind, 1970
box i, binder xvi
Cunningham Dance Company, 1971
box 1, folder 17
Deitch, Jeffrey, undated
box ane, folder eighteen
Dwan Gallery, 1969
box ane, binder 19
E, 1969-1972
box ane, folder 20
F, 1969-1973
box i, binder 21
Galleria Forma, 1974
box 1, folder 22
Gibson, John, 1970
box one, folder 23
Gimpel, René, 1972
box 1, folder 24
Gluzberg, Jorge, 1971
box i, folder 25
Goodman, Marcia, undated
box 1, folder 26
Graham, Dan, undated
box 1, folder 27
H, 1970-1973
box 1, binder 28
Henri 2 Gallery, 1971
box i, folder 29
Hess, Tom, undated
box i, binder 30
Huebler, Doug, undated
box 1, folder 32
Johnson, Ray, 1972
box ane, folder 33
Kaprow, Vaughan, 1972
box 1, folder 34
Katz, Mel, 1973
box one, folder 35
Koch, Bea, 1972
box 1, binder 36
Kostelanetz, Richard, undated
box 1, folder 37
Kozloff, Max, 1971
box i, folder 38
LACMA (Los Angeles County Museum of Art), 1972-1973
box i, binder 39
Lacy, Suzanne, 1973
box 1, binder 40
LAICA, 1975
box 1, folder 41
Lippard, Lucy, 1971
box two, folder i
One thousand, undated
box 2, folder 2
Midland group, 1971-1972
box 2, folder 3
MOMA, 1972-1973
box ii, binder 4
Moore, Peter, 1970
box 2, folder five
N, 1969-1970
box 2, folder 6
Nemser, Cindy, 1973
box 2, folder 7
Nova Scotia, 1972
box two, folder viii
O'Doherty, Brian, undated
box 2, binder 9
Oliverso, Pauline, undated
box 2, binder x
Otis, 1973
box 2, folder xi
Pasadena Museum, 1972
box two, binder 12
Perrault?, John, undated
box ii, binder 13
Poinsot, Jean-Marc, 1972
box ii, folder 15
Reese Palley (Gallery), 1971
box 2, folder 16
Ratliffe?, Carter, 1970
box ii, folder 17
Richard, Paul, undated
box 2, folder eighteen
Rosler, Martha, undated
box 2, folder 19
Rothenberg, Jerome, undated
box 2, folder xx
S, 1971-72
box 2, binder 21
Sleigh, Sylvia, undated
box 2, folder 22
Smith, Bob, undated
box 2, folder 23
Spectrum Gallery, 1969, undated
box two, folder 24
Starkman, Elaine, 1970
box 2, binder 25
Stefanotty, Rob, undated
box 2, folder 26
Tucker, Marcia, 1970, undated
box two, binder 27
Universities, 1972-1975
box 2, folder 28
V, 1972-1973
box two, folder 30
Wade, Robert, 1973
box two, folder 31
Whitney Museum, 1971-1972
box 2, folder 32
Wilcox, John, undated
box 2, folder 33
Get-go names or illegible names, circa 1970-1979
box 2, folder 34
Post event (unidenitifed) congratulations, undated
box ii, folder 35
Receipts and envelopes, 1971-1975
box three, binder 1
A, 1980-1984
box 3, folder 2
Astro Artz, 1983
box 3, binder 3
B, 1983-1987
box 3, folder 4
Lois Bianchi, 1988
box 3, binder 5
C, 1983-1989
box 3, folder vi
Citakovic, Tatjana, 1989
box 3, folder 8
Davies, Hugh, undated
box three, folder 10
Griggs, Michael, 1988
box 3, folder 11
H, 1984=1989
box 3, folder 12
Instituto de Estudios norteamericanos, 1989
box iii, binder fourteen
Kohler, Michael, 1988-1989
box 3, folder xv
Kurcfeld, Michael, undated
box 3, folder 17
Lonidier, Fred, undated
box iii, folder 18
Martin, Richard, 1983
box 3, binder 19
McCoy, Ann, 1985
box 3, folder 20
NEA, 1989
box 3, folder 21
New Telly, 1988
box iii, folder 22
P, 1981-1989
box iii, folder 23
Pacific Moving-picture show Archive, 1989
box iii, folder 24
Pincus-Witten, Robert, 1983
box 3, binder 26
S, 1981-1989
box 3, folder 27
Tupitsyn, Margarita, 1983
box 3, folder 28
U, 1988-1989
box 3, folder 29
W, 1982-1985
box 3, folder 30
Whitney Museum of American Art, 1988-1989
box 3, folder 31
Wilson, Martha, 1988-1989
box 3, binder 32
ZDF, 1989
box 3, folder 33
Unidentified or beginning names, 1980-1989
box 4, binder one
A, 1990-1999
box 4, folder 2
American Federation of Arts, undated
box 4, binder iii
Anderson, Miles, 1994
box four, binder 4
Antin, Cindy, undated
box four, folder v
B, 1990-1999
box iv, folder 6
Bluehorse, 1992
box 4, folder vii
Bornstein, Seth, 1993
box iv, folder 8
Broo, Werner, 1992
box four, folder 9
Buergel-Noack, 1999
box 4, folder 10
C, 1992-1999
box 4, folder 11
Chen, Fang, 1999
box 4, folder 12
Chicago, Judy, 1998
box iv, folder xiii
Cleveland Center for Contemporary Art, 1992-1994
box 4, folder xiv
Codrescu, Andrei, 1993
box four, folder 15
Cottingham, Laura, 1995-1997
box 4, folder 16
D, 1991-1992
box 4, folder 17
Darling, Lowell, 1993
box 4, binder 18
Exit Fine art, 1992-1993
box 4, folder nineteen
F, 1991-1993
box 4, folder twenty
Pull a fast one on, Howard
box 4, folder 21
Garner, Gretchen, 1992-1998
box 4, folder 22
George, Sherman, 1991
box 4, folder 23
Goldner, Barbara, 1993
box iv, folder 24
Guggenheim Museum, 1997
box four, folder 25
H, 1991-1999
box four, binder 26
Harris, Bob, 1992
box iv, folder 27
Hokes Archives, 1993
box iv, folder 28
Holt, Virginia, 1995
box 4, folder 29
I, 1990-1995
box 4, binder 30
Independent Curators Incorporated, 1991-1996
box four, folder 31
Jewish Moving picture Festival, 1991-1993
box four, folder 32
M, 1990-1997
box 5, folder i
L, 1991-1992
box five, binder 1
LACE (Los Angeles Contemporary Exhibitions), 1993-1995
box 5, folder 3
LACMA, 1996-1999
box v, binder 4
Lartigue, Pierre, 1994-1995
box 5, folder 5
Levine, Les, 1991
box five, folder 6
Lippard, Lucy, 1994
box v, folder 7
Lure Art Books, 1993
box 5, folder eight
M, 1991-1998
box 5, folder 9
Majestic, 1991-1992
box 5, folder 10
Messerli, Douglas, 1996
box 5, binder xi
Moore, Barbara, 1990-1991
box 5, folder 12
Mc, 1990-1994
box 5, binder 13
Due north, 1991-1998
box 5, folder fourteen
Noack, Ruth, undated
box 5, folder xv
O'Doherty, Brian, 1991
box five, folder 16
O'Neill, Brian, 1990
box v, folder 17
P, 1991-1999
box five, folder nineteen
R, 1994-1999
box five, folder xx
Ronald Feldman, 1994-1995
box 5, folder 21
Rosenstein, Harris, 1992
box 5, folder 22
S, 1992-1999
box five, folder 23
Saidye Bronfman Centre, 1994
box five, binder 24
Southeastern Center for Gimmicky Art, 1994
box 5, folder 25
Singer, Ilana, 1992
box 5, folder 26
Skirball Museum, 1990
box v, folder 27
Skoller, Jeffrey, 1996
box 5, folder 28
Santa Monica Museum of Art, 1994-1995
box 5, binder 29
T, 1994-1998
box 5, folder xxx
U, 1990-1994
box 5, folder 31
Academy of California, Los Angeles, 1991-1999
box 5, folder 32
Academy of California, San Diego, 1990-1999
box 5, folder 33
University of Nevada, 1992-1993
box 5, folder 35
Video Information Bank, 1999
box 5, binder 36
W, 1990-1992
box 5, folder 37
Ward, Jeff, 1993
box five, folder 38
Whitney Museum of American Art, 1999
box 5, folder 39
ZDF, 1992-1993
box 5, binder 40
Zveress, John, 1990
box 5, folder 41
First names, 1990-1999
box 5, folder 42
Assorted material found in correspondence, 1990-1993
box 6, folder 1
A, 2000-2008
box 6, folder 2
Arnolfini Gallery, 2001
box half-dozen, binder 3
B, 2003-2009
box half dozen, binder 4
Berger, Bennett, 2000
box 6, binder 5
Beck, Sandy, undated
box 6, folder 6
C, 2002-2008
box 6, folder 7
Cheng, Meiling, 2000
box 6, folder eight
Cohen, Becky, 2002
box 6, folder nine
Coombs, Nicola, undated
box 6, folder 11
Documenta 12, 2007
box 6, binder 12
Egan, Nancy, 2001
box 6, folder thirteen
F, 2005-2008
box 6, binder 14
Finley, Karen, 2001
box half dozen, folder xv
Flim-flam, Maryl Jo, 2001
box 6, folder 16
Franklin Furnace, 2006-2007
box half-dozen, folder 17
Thousand, 2005-2007
box vi, binder 18
Gould, Ann, 2006-2009
box 6, folder 19
Greenish Integer, 2002
box six, folder 21
Independent Curators Incorporated, 2005-2008
box 6, folder 23
K, 2001-2008
box 6, folder 24
L, 2007-2008
box 6, folder 25
LACMA, 2000-2002
box 6, folder 26
Los Angeles Times, 2000
box 6, folder 27
1000, 2002-2008
box 6, folder 28
Macks, Cara, 2007
box half dozen, folder 29
Mitchell, Ilana, 2001
box vi, folder xxx
Murray-Wassink, 2000-2001
box 6, folder 31
National Gallery of Canada, 2001-2008
box half-dozen, folder 33
P, 2000-2008
box half dozen, folder 35
R, 2000-2008
box 6, folder 36
Ronald Feldman Gallery, 2002
box 6, folder 37
Rutgers, 2005-2006
box half dozen, folder 39
Santa Monica Museum of Art, 2002-2009
box 6, binder 40
Skoller, Jeffrey, 2002
box 6, binder 41
Smithsonian, 2000-2009
box 6, folder 42
T, 2001-2008
box 6, folder 43
University of California, San Diego, 2001
box 6, folder 44
V, 2001-2007
box 6, folder 45
Verbund, 2008
box 6, folder 46
W, 2006-2008
box 6, folder 47
Walker Museum, 2003
box 6, binder 48
Whitney Museum of American Fine art, 2000-2005
box 6, folder 48
Material found in correspondence, undated
box 6, folder 50
First names, 2001-2009
box 6, binder 51
Letters in foreign scripts, undated
Cards, 1965-2003, undated
box vii, folder 1-ten
Postcards received, 1965-2003, undated
box vii, folder 11
Nerveless postcards, undated
Series II. Notebooks, 1970-2001, undated
Physical Description: three.75 Linear Feet (9 boxes)
Scope and Content Note
Notebooks span iii decades and comprise notes, sketches, bits of dialogue, and planning for various Antin works, mixed in with personal reflections, art world gossip, lists of tasks, drafts of letters, and other quotidian material. They often relate works throughout their process of development. Sketchbooks show her thought process as she develops works, including some early drawings blocking out compositions for 100 Boots, and extensive drawings for projects such as Affections of Mercy and Human Without a World. Drawings of female figures with abundant, messy hair occur throughout the notebooks.
Arrangement
Arranged past decade and, where possible, in chronological order within the decade.
box 8-11
1970-1979
Telescopic and Content Note
Including sketches, notes, and planning for 100 Boots, Angel of Mercy , The Nurse and the Hijackers, Before the Revolution , and Antinova.
box 12-thirteen
1980-1989
Scope and Content Note
Including sketches, notes, and planning for Existence Antinova, El Desdichado , and Human Without a World.
box 14
1990-2001
Scope and Content Note
Including notes, sketches, and planning for Man Without a World and notes from Roman Outtakes.
box 15-16
Undated
Arrangement
Box 16 contains seventeen very small notebooks in which accession, box, and item numbers accept been written in pencil on the inside of the front end covers.
Series 3. Projects, circa 1965-2009
Physical Description: v.5 Linear Feet (6 boxes, one flat file)
Scope and Content Annotation
This series includes Antin's notes, writings, and related items for all of her projects, including poetry, films, performances, installations, and exhibitions. It includes all of Antin's scripts in multiple states of revision, along with a number of unpublished works, including early poesy and experimental text works from the 1960s, and unpublished plays and performance pieces from the 1970s and 80s. Too included is correspondence related to specific projects, such equally an interesting exchange between Antin and the writer Kathy Acker, whose story "Miss Garland's School for Girls," Antin had hoped to make into a film.
Organisation
Arranged in chronological social club by year, using the showtime year the project was shown or performed.
box 17, binder one-5
Verse, circa 1965-circa 1970
box 17, folder vi
Gain Footing, 1968
box 17, folder vii-8
Portraits of 8 New York Women, 1969
box 17, folder nine
Nine Movies, 1969
box 17, folder 10-11
100 Boots, 1970
box 17, binder 12-xiii
Library Scientific discipline, 1971
box 17, folder 14
The Rex, 1972
box 17, binder fifteen-16
The Ballerina, 1974
box 17, binder 17-18
Battle of the Bluffs, 1975
box 17, folder 19
Etching, 1975
box xviii, binder 1
My Life Begins, 1976
box 18, binder 2-iv
Angel of Mercy, 1977
box 18, binder 5-7
The Nurse and the Hijackers, 1977
box eighteen, binder 8
"Pocohontas," circa 1979
box eighteen, binder nine-11
Before the Revolution, 1979
box 19, folder 1-9
Recollections of My Life with Diagelev, 1980
box 19, folder 10
Assist! I'm in Seattle, 1986
box nineteen, binder 11-xiii
Who Cares About a Ballerina? 1987
box nineteen, folder 14-17
The Nights of Rasputin, 1989
box xx-21
Homo Without a World, 1991
box 21, folder 4
"Miss Garland's School for Girls," 1992
Scope and Content Note
Plans for a film based on a story by Kathy Acker, with correspondence between Antin and Acker.
box 21, folder 5-7
Vilna Nights, 1993
box 21, folder eight-ten
Minetta Lane, 1995
box 21, folder 11-12
Sandwich Homo, 1995
box 21, folder 13
Group bear witness, Museum of Contemporary Fine art. Los Angeles ( Reconsidering the Object of Art ), 1995
box 21, folder 14
Retrospective, Los Angeles County Museum of Art, 1999
box 22, binder 1
Retrospective, Washington University, 2000
box 22, folder 2
Biennal, Sydney, 2002
box 22, folder iii-7
Roman Allegories, 2004
box 22, folder 8
100 Boots, 2006
box 22, folder 9
Group show (Center Pompidou), 2006
box 22, binder 10
Group testify, Santa Monica Museum of Art ( Identity Theft ), 2007
box 22, binder 11
Grouping show, Museum of Contemporary Art, Los Angeles ( Wack!), 2007
box 22, folder 12
Group show, Getty Museum ( California Video), 2008
box 22, folder 13
Papers
Scope and Content Notation
Contains ephemera, press, and loans forms.
box 22, folder fourteen
Helen'south Odyssey, 2008
box 22, folder 15
Classical Frieze, 2009
box 22, folder xvi
Group show, Cardwell Jimmerson Gallery ( San Diego and the Origins of Conceptual Fine art ), 2009
box 64*
Introduction panels, 1975-2008
Scope and Content Note
The King of Solana, 1975, Recollections of My Life with Diaghilev, 1980, Angel of Mercy, 1981 , The Last Solar day of Pompeii, 2002 , Historical Takes, 2008.
Series Iv. Personal/miscellaneous, 1973-2008, undated
Physical Description: 0.42 Linear Feet (1 box)
Scope and Content Note
In add-on to honors received, in that location are receipts, a partial resume, and miscellanous material.
System
Arranged in chronological club past year within two groupings.
box 23, folder one-3
Awards and Guggenheim fellowship, 1992-1998
box 23, folder 4-8
Fiscal/bitty, 1973-2008
Series V. Work by others, 1962-2010, undated
Concrete Description: 0.42 Linear Anxiety (1 box)
Scope and Content Note
This series includes poetry, artist books, many manuscripts of essays about Antin, and contrasted material. Among the more notable artists represented are Diane Wakaowski, Suzanne Lacy, Les Levine, and Moria Roth.
Arrangement
Arranged in two sections, and within each section textile is arranged in chronological order past yr and, where possible, identified past the name of the artist or author.
Writing and artwork by others, 1962-2010
box 24, folder i
Out of Sight?, 1962
box 64*, binder 1
Diane Wakowski, circa 1965
box 24, folder ii
Children's postcards for 100 Boots, 1973
box 24, binder 3
Video Bander, 1974
box 24, folder 4
Eleanor Munro, 1978
box 24, folder 5
Suzanne Lacy, 1978
box 24, folder half-dozen
Kurtyca, 1979-1982
box 24, binder seven
Sabato Fiorelli, 1980
box 24, folder 9
Eddie Ellis, 1983
box 24, folder eight
John Mills, 1987
box 24, binder 10
Tom Jenkins, 1986
box 24, folder 11
Norine Dworkin, 1989
box 24, binder 12
Les Levine, circa 1990
box 24, binder xiii
Jeffrey Skoller, 1995
box 24, binder 14
Howard Play a trick on, 1999
box 24, binder 15
Lisa Bloom, 1999
box 24, folder 16
Jayne Wark, 2006
box 24, folder 17
Alisa Lebow, 2007
box 24, folder xviii
Amelia Jones, 2008
box 24, binder 19
Bettie Sue Hertz, 2008
box 24, folder xx
Matt Witkovsky, 2010
box 24, binder 21
Unidentified, undated
box 24, binder 22
Moira Roth, 1973
box 24, folder 23
Denice Wilde, 1976 April 22
box 24, folder 24
JW?, 1980
box 24, folder 25
Sue Dakin, 1994
Series VI. Ephemera, 1960-2010, undated
Physical Description: 4.17 Linear Feet (7 boxes)
Scope and Content Annotation
Includes postcards, announcements, and posters for Antin's performances and exhibitions, including Vilna Nights, Man Without a World, and El Desdichado.
System
Arranged in chronological society by year, with specific topical groupings at the end.
Dated material, 1960-2010
Telescopic and Content Annotation
Includes a petition to censure Director Thomas Messer of the Guggenheim Museum for fine art censorship; Frantisek Deak, "The Use of Graphic symbol in Artistic Operation," The Dumb Ox, 1980; and a summary of an interview with Eleanor Antin in San Diego, April 29, 1980.
box 25, folder 1
1960-1969
box 25, folder 2-ix
Papers
box 64*, binder ane
Posters
flatfile 1**
Oversize material
box 25, folder x-13
General
box 64*, folder two
Posters
box 26, folder 1-6
General
box 64*, folder two
Posters
box 26, folder 7-9
General
box 64*, binder 3
Posters
box 27, folder 1-5
General
box 64*, folder 3
Posters
box 28, folder i-5
General
box 64*, folder 4
Posters
box 29, folder 1-4
General
box 64*, folder 4
Posters
box thirty, binder ane
Ballerina-based images, 1975-2010
Scope and Content Note
Recollections of My Life with Diaghilev, Feeling what no longer is, Loves of a Ballerina , Who cares nigh a ballerina?, Help! I'one thousand in Seattle, Eleanor Antinova, Traditional Art.
box 30, binder 2
Boots-based images, 1972-1999
box 30, folder iii
King-based images, 1972-2007
Telescopic and Content Note
Includes postcards for The Nurse and the Hijackers, The Affections of Mercy, El Desdichado , Identity Theft, The King
box 30, folder four
El Desdichado, 1983
box 30, folder five-seven
Homo Without a World, 1990-1991
box xxx, folder 8
Vilna Nights, 1993
box 30, folder ix
Movies and filmic installations, 1990-1996
Scope and Content Annotation
The Last Night of Rasputin, Minetta Lane, The Homo Without a Earth, and Creative person and The Community: Eleanor Antin- Ghosts .
box xxx, 64*
Romans, Greeks, Pompeii, 2002-2008
box xxx, folder x
Postcards
box 64*, folder iv
Posters
box 30, binder 11
Miscellaneous images, 1978-2009
Serial Vii. Reviews and press releases, 1965-2009
Physical Description: 2.five Linear Feet (vi boxes)
Telescopic and Content Notation
Includes reviews and press releases of Antin's work, offering a comprehensive overview of the critical reception of feminist-conceptual art during the flow. Of annotation are the somewhat bewildered early reviews and the numerous favorable articles about Antin's retrospective at the Los Angeles Canton Museum of Fine art in 1999.
System
Bundled in chronological order past year.
box 31, folder one-2
1965-1969
box 31, folder 3-9
1970-1974
Scope and Content Note
Includes diverse clippings relating to 100 Boots; a review of Carving: A Traditional Sculpture by Peter Plagens; and "The Pink Biennale and The Battle of the Bluffs," by Barbara Radice.
box 32, binder 1-v
1975-1977
Scope and Content Note
Includes extract from American Narrative/Story Art: 1967-1977 .
box 33, folder 1-3
1977-1979
box 33, binder 4-8
1980-1983
Telescopic and Content Note
Includes "The Use of Character in Artists Performance," by Frantisek Deak; Linda Podheiser's conference presentation, "New Video Soaps: three Feminist Variations;" and various clippings relating to El Desdichado.
box 34, binder i-6
1984-1989
box 34, folder 7-9
1990-1992
Scope and Content Note
Nigh clippings relating to Human being Without a Globe.
box 35, folder 1-8
1993-1999
Telescopic and Content Annotation
Includes various manufactures almost Vilna Nights and the LACMA Retrospective exhibition; and "Ethic Notions and Feminist Strategies of the 1970's" from Jewish Identity in Modern Art History, past Lisa Blossom.
box 36, folder 1-11
2000-2009
Scope and Content Annotation
Includes various manufactures relating to The Last Days of Pompeii ; and "Yous Guys are Kind of Similar Trekkies!?" past Annette Vowinckel.
Series VIII. Photographs, 1965-2007, undated
Container Summary: (16 boxes)
Scope and Content Note
An extremely comprehensive photographic documentation of Antin's performances and exhibitions, including lilliputian known installations from the 1970s, numerous picture stills or ready photography, and a small number of personal portraits.
Organisation
Materials are grouped nether the title of the work to which they pertain and works are arranged in chronological order past year.
Blood of a Poet, 1965-1968
box 37, folder i
Blackness-and-white photographs
box 43
Negatives and slide
box 37, folder 2
Fragments of Roissy, 1966-1967
box 37, binder three
Black-and-white photographs
box 43
Negatives and slides
box 37, folder 2
Black-and-white photographs
box 43
Color photographs, negatives, and slides
Portraits of Viii New York Women, 1969-1970
Scope and Content Note
Includes some proofs of California Lives.
box 37, folder 5
Black-and-white photographs
box 43
Negatives and slides
100 Boots and 100 Boots Become Line-fishing (St. Louis, Missouri) 1971-2000
Scope and Content Note
Includes photos from LACMA'due south reinstallation.
box 38
Blackness-and-white photographs
box 43
Negatives and slides
box 43
Library Science, 1971
Representational Painting, 1971
box 39, folder i
Blackness-and-white photographs
box 43
Negatives and slides
Encounters/Withdrawals Domestic Peace , 1971-1972
box 39, folder 2
Black-and-white photographs
box 43
Negatives and slides
box 44
Transactions, 1972
box 39, folder 3
Black-and-white photographs
box 44
Negatives and slides
box 44
The Viii Temptations, 1972
box 39, folder four-five
Black-and-white photographs
box 43
Negatives and slides
box 44
Caught in the Deed, 1973
The Ballerina (Caught in the Act), Trivial Match Girl Ballet, and Ballerina and the Bum, 1973-1975
box 39, binder 6-8
Black-and-white photographs
box 45
Negatives and slides
box 45
The Ballerina King, 1974
The King's Meditations, 1974
box 39, folder ix
Black-and-white photographs
box 45
Negatives and slides
box 45
Eleanor 1954, 1974
The Male monarch of Solana Beach, 1974-1975
box 39, binder 10
Black-and-white photographs
Scope and Content Note
Includes 2 printouts of sketches from Recollections of My Life with Diaghilev .
box 45
Negatives and slides
Battle of the Bluffs, 1975
box 39, folder xi
Black-and-white photographs
box 45
Colour photo and slides
box 45
The Little Match Girl Ballet, 1975
The Adventures of a Nurse, 1976
box 39, binder 12
Black-and-white photographs
box 45
Negatives and slides
Angel of Mercy, 1977-1981
box 40, folder 1-2
Black-and-white photographs
box 46
Color photographs, negatives, and slides
box 47, binder 1-4
The Nurse and the Hijackers, 1977
box twoscore, folder three
Lost moment in dance 1978
box 47, binder five
Negatives
Earlier the Revolution 1979
box twoscore, folder 4-6
Black-and-white photographs
Recollections of my life with Diaghilev , 1979-1981
box xl, folder 7-8
Photographs of drawings
box twoscore, folder 9
Functioning at Ronald Feldman Fine Arts Gallery
box 40, folder 10
Portraits of great roles
box 41, binder 1-3
Beingness Antinova in New York
box 47, folder 7
Negatives and slides
box 41, binder 4-5
Blackness-and-white photographs
box 47, binder eight
Negatives and slides
Help! I'm in Seattle!, 1986
box 47, binder 6
Hymn to the Ocean
Loves of a Ballerina, 1986
box 41, binder 7
Black-and-white photographs
box 48
Who cares about a Ballerina?, 1987
The Last Night of Rasputin, 1989
box 41, folder viii-9
Black-and-white photographs
Homo Without a World, 1991
box 42, folder 1
Black-and-white photographs
box 48
Color photographs, negatives, and slides
box 42, binder ii
Black-and-white photographs
box 48
Negatives and slides
Minetta Lane: A Ghost Story, 1995
box 42, folder 3-4
Black-and-white photographs
box 48
Negatives and slides
Photo murals (Lilliputian Romance), 1995
box 42, folder 5
Black-and-white photographs
box 42, folder 6-7
Black-and-white photographs
box 48
Waiting in the Wings, 1999
box 51
LACMA's retrospective exhibition, 1999
box 42, folder viii
Black-and-white photographs
box 48
Colour photographs, negatives, and slides
box 49
The Last Days of Pompeii, 2001
box 49
Roman Allegories, 2004
box 50
Helen'due south Odyssey, 2007
box 42, 52
Personas, 1973-1989
box 42, folder 9
Black persona proofs
box 42, binder 10
Portraits of Antin, 1991, undated
box 42, folder xi
Eleanor PR photo proofs, undated
box 42, folder 12-13
Ballerina, 1973-1987
box 52
Drawings, 1978-1983
box 52
Text and Textiles, undated
box 52
Personal and early evidence openings, undated
Scope and Content Note
Includes Allan Kaprow slides and David Antin negatives.
Series IX. Audiovisual and digital materials, 1953-2010
Selected Eleanor Antin audiovisual materials: 1953-2010
Physical Description: eleven.42 Linear Feet (11 boxes, ii flick reels)
Scope and Content Notation
Includes audio and or audiovisual recordings of virtually every work past Antin, along with recordings of her appearances on talk programs or of interviews, as well equally outtakes of films and raw footage.
Organization
Materials are arranged in chronological society by year.
box 54, item C1
Ely, 1953
Container Summary:
Scope and Content Note
2 audio cassettes of two ; 1/8 in.
box 54, item C2
Eleanor, 1954
Scope and Content Note
Performed Winter; 1 sound cassette of one (80 min.) ; 1/eight in.
box 54, item C3
Eleanor, 1954
Scope and Content Notation
one sound cassette of 1 (80 min.) ; ane/viii in.
box 54, item C4
Eleanor, 1954
Scope and Content Annotation
1 sound cassette of one (80 min.) ; 1/8 in.
box 56, item V1
Representational Painting, 1971
Scope and Content Note
ane videocassette of i (DV) (38 min.) : si., blackness and white; 3/iv in.
box 56, item V2
The Rex, 1972
Telescopic and Content Note
1 videocassette of i (DV) (51 min.) : si., blackness and white ; three/4 in.
box 55, item R3
French version of Tv commercial for [...Rex], circa 1972-1975
Scope and Content Annotation
ane sound record reel of one ; 1/4 in.
box 56, item V3
Caught in the Act, 1973
Scope and Content Annotation
i videocassette of one (DV) (36 min.) : sd., black and white ; 3/4 in.
box 55, detail R1
Eleanor, 1974
Scope and Content Note
On characterization: 1/four [tracks]; Aqueduct 1- Side 1; Commencement [tomorrow] 1100; 3 three/4 play; Wintertime 1974- performed at Woman'due south Building, L.A.; 1 sound tape reel of ane ; i/4 in.
box 56, particular V4
The Ballerina and The Bum, 1974
Scope and Content Note
1 videocassette of i (DV) (53 min.) : sd., blackness and white ; iii/4 in.
box 54, item C5
Wing, circa 1974
Scope and Content Notation
On label: Record for Ballerina [with] Bottle- you accept to believe; 1 sound cassette of 1 ; i/eight in.
box 63, item D1
The Turning Point from the Black Ballerina, 1975 May 12
Scope and Content Note
i CD-R of i ; 4 3/4 in. However images but.
box 54, detail C6
The Rex in Solana Beach, 1975 March
Scope and Content Note
1 sound cassette of i ; one/eight in.
box 55, item R2
The King'southward Meditations, 1975 May
Scope and Content Note
i sound tape reel of i ; i/four in. Restricted; request copy for apply.
box 56, item V5
The Little Match Girl Ballet, 1975
Telescopic and Content Notation
1 videocassette of i (DV) (27 min.) : sd., col. ; three/4 in.
box 56, item V6
The Adventures of a Nurse, 1976
Telescopic and Content Note
two videocassettes of 2 (DV) (66 min.) : sd., col. ; 3/four in.
box 56, item V7
The Nurse and The Hijackers, 1977
Telescopic and Content Note
2 videocassettes of 2 (DV) (75 min.) : sd., col. ; 3/4 in.
box 54, detail C7
Before the Revolution, 1979 February 24
Scope and Content Note
1 sound cassette of i ; 1/8 in.
box 54, item C8
"Battle of the Bluffs" in Montreal, 1981 March 29
Scope and Content Note
one sound cassette of ane ; ane/8 in.
box 57, particular V8
The Affections of Mercy, 1981
Telescopic and Content Note
1 videocassette of 1 (DV) (66 min.) : sd., col.; iii/4 in.
box 54, particular C9
Antinova Remembering, circa 1981
Scope and Content Annotation
Produced by Jeff Gordon, North.Y.; ane sound cassette of 1 ; 1/8 in.
box 54, particular C11
Elly performing Antinova (may exist Student Days), circa 1981-1982
Scope and Content Note
1 sound cassette of 1 ; 1/8 in.
box 54, 55
Student Days in Paris, 1982 February two- March 12
box 55, item R4
Visual recording, 1982 February 26
Telescopic and Content Annotation
On characterization: 1/4 tracks; engineer: PS; Producer: JG; side 1/side2; 1 sound record reel of ane ; 1/4 in.
box 54, item C10
Audio recording, 1982 March 12
Scope and Content Note
1 sound cassette of 1 ; 1/eight in.
box 57, particular V9
El Desdichado (The Unlucky One), 1983
Scope and Content Note
1 videocassette of one (DV) (70 min.) : sd., col. ; 3/iv in.
box 55, item R5
"Dance Studio School," 1985 November ten
Scope and Content Note
5 sound tape reels of 5 ; 1/4 in.
box 54, item C12
The Not bad Chatrand, 1986 April 6
Scope and Content Note
T. Amos for East. Antin; ane audio cassette of ane; ane/viii in.
box 54, item C13-C14
It Ain't the Ballets Russes, 1986
box 54, item C13
Sound recording 1986
Scope and Content Note
Antin and Amos; 1 audio cassette of 1 ; one/8 in.
box 54, item C14
Background music (Tom Amos), 1986
Scope and Content Note
1 sound cassette of one ; 1/8 in.
box 54, item C15
"Charm. " K88K/ Loftier Performance, 1986
Telescopic and Content Note
© Rachel Rosenthal. Producer: Jacki Apple; i sound cassette of 1 (47 min.) ; ane/8 in.
box none, particular F7-F9
Ballerina and the Gambler, circa 1986
Scope and Content Note
3 movie reels ; 16mm.
box 57, 58
From The Archives of Mod Art, 1986-1987
box 58, detail F1-F6
Loves of a Ballerina, 1986
Scope and Content Note
6 moving picture reels ; 16mm.
box 58, item F2
1. second window vignette
box 58, particular F3
2. The ballerina and the poet; love's shadow
box 58, item F4
3. 2nd half of ballerina and the poet; loves shadow (rips); swan lake (rips); "Dear of a..." (main title); 1st one-half of ballerina and the poet
box 58, particular F5
4. 2d half of love's shadow; swan lake (rips); "Loves of a... (main championship); ballerina and the poet; 1st half of love'southward shadow
box 58, detail F6
5. 2nd half ballerina and the poet; loves shadow; swan lake; "Loves of a..." (master title); 1st half of ballerina and the poet
box 57, item V10
Final version, 1987
Scope and Content Note
ane videocassette of i (U-Matic) (19 min.) : sd., black and white ; 3/4 in.
box 55, item R5
Who cares almost a Ballerina?, 1987
Telescopic and Content Annotation
On label: ane/2 rails stereo; 7.five ips head out; ampex 456; odB 1K test tone; duB of raw studio session; ane film reel of 1 ; ane/4 in.
box 53, 54
The Terminal Night of Rasputin, 1989
box 53
Performance text
Scope and Content Note
1 floppy deejay ; three.v in.
box 54, item C16
Terminal Night...,
Telescopic and Content Note
Side ane- 1st take; Side 2- 2d take; Organ; 1 audio cassette of 1 ; one/8 in.
box 54, particular C17
Musical accompaniment: "organ"
Scope and Content Note
Takes 1 and ii; ane sound cassette of 1 ; 1/viii in.
box 54, 58, 59-62
The Man Without a Globe, 1991-1992
box 54, item C18
Musical accompaniment past Lee Erwin
Scope and Content Note
ii sound cassettes of two ; 1/viii in.
box 54, item C19
Lee Erwin
Telescopic and Content Note
1 sound cassette of 1 ; one/eight in.
box 58, item F9
Complete version
Telescopic and Content Note
On label: Print #2 JEA; 2 moving picture reels of ii : si., black and white ; xvi mm.
box 58, item F10-F19
Prologue
Scope and Content Note
x film reels : si., black and white ; xvi mm.
box 58, detail F20-F39
"1A Market Twenty-four hour period"
Telescopic and Content Notation
20 film reels : si., blackness and white ; 16 mm.
box 58, item F40-F46
"1B Butcher Shed"
Scope and Content Note
7 film reels : si., black and white ; 16mm.
box 58, detail F47-F70
"1C Troupe Arrives"
Scope and Content Note
24 film reels : si., black and white ; xvi mm.
box 59, item F71-F83
"2 Sickbed Stories"
Scope and Content Notation
13 moving picture reels : si., blackness and white ; 16 mm.
box 59, item F84-F121
"3 Good times at Moshes"
Scope and Content Note
38 motion picture reels : si., black and white ; 16 mm.
box 59, item F122-F139
"iv Deathbed"
Telescopic and Content Notation
18 picture show reels : si., black and white ; xvi mm.
box 59, item F140-F164
"5 Mother's Funeral"
Scope and Content Note
25 film reels : si., black and white ; sixteen mm.
box threescore, particular F165-F166
"6 Cemetary (sic) Gate"
Scope and Content Note
ii film reels : si., black and white ; 16 mm.
box 60, particular F167-F177
"7 Walk Through Boondocks"
Scope and Content Notation
11 film reels : si., blackness and white ; xvi mm.
box 60, detail F178-F197
"8 Dybbuk Story at Span"
Scope and Content Note
20 film reels : si., black and white ; 16 mm.
box threescore, particular F198-F206
"9 Seduction"
Scope and Content Note
9 moving-picture show reels : si., blackness and white ; 16 mm.
box 60, detail F207-F215
"x Nightmare"
Scope and Content Annotation
9 film reels : si., black and white ; sixteen mm.
box sixty, item F216
"Lifts SC11"
Scope and Content Note
ane movie reel : si., blackness and white ; 16 mm.
box 60, item F217-F221
"12 Making Breadstuff"
Scope and Content Notation
4 film reels : si., black and white ; 16 mm.
box 60, item F222-227
"thirteen Chicken Chase"
Scope and Content Note
5 flick reels : si., black and white ; 16 mm.
box 60, item F228-F233
"14 Rukhele writes at grave"
Scope and Content Note
6 motion picture reels : si., black and white ; xvi mm.
box sixty, item F234-F245
"xv Sooreleh's Abduction"
Scope and Content Note
12 film reels : si., black and white ; 16 mm.
box threescore, particular F246-F290
"16 Poesy, Dance, Chess at Moshes"
Scope and Content Note
45 picture reels : si., black and white ; 16 mm.
box 61, particular F291-F311
"18A- 1st Exorcism Dance"
Scope and Content Annotation
21 picture show reels : si., black and white ; 16 mm.
box 61, detail F312-F335
"18B Excorcism (sic) and Death"
Scope and Content Note
black and white
box 61, item F336-F338
"19 Mr. D Walks Past"
Scope and Content Note
iii film reels : si., black and white ; sixteen mm.
box 61, item F339-F347
"20 Sooreleh'due south Funeral"
Scope and Content Annotation
ix film reels : si., black and white ; 16 mm.
box 61, particular F348-F357
"21 Parents Concord to Wedding"
Scope and Content Notation
10 picture reels : si., black and white ; 16 mm.
box 61, detail F358-F367
"21 A 22 Bookstore"
Scope and Content Note
10 film reels : si., black and white ; xvi mm.
box 61, item F368-F376
"22 Apparel Fitting"
Scope and Content Note
ix motion picture reels : si., black and white ; sixteen mm.
box 61, item F377-F403
"23 Tailor Store"
Scope and Content Note
27 film reels : si., black and white ; xvi mm.
box 61, item F404-F411
"24 Butcher Drinks"
Scope and Content Note
8 picture reels : si., blackness and white ; 16 mm.
box 61, item F412-F431
"25 Mikva"
Container Summary:
Telescopic and Content Annotation
20 film reels : si., black and white ; 16 mm.
box 62, item F432-F437
"27C Future Visions"
Telescopic and Content Note
half dozen film reels : si., blackness and white ; 16 mm.
box 62, detail F438-F442
"28 Escape"
Telescopic and Content Notation
five film reels : si., blackness and white ; 16 mm.
box 62, detail F443
"1/23 Friends and Revolution"
Scope and Content Notation
i flick reel : si., black and white ; sixteen mm.
box 62, item F444
"37, 38 #100779"
Scope and Content Note
1 film reel : si., blackness and white ; xvi mm.
box 62, item F445
"39, 40, 41 #100817"
Scope and Content Note
1 film reel : si., black and white ; 16 mm.
box 62, item F446
"23, 24 UCSD"
Scope and Content Note
i moving-picture show reel : si., black and white ; sixteen mm.
box 62, particular F447
"27, 27 UCSD"
Scope and Content Note
one motion-picture show reel : si., black and white ; 16 mm.
box 62, item F448
"Old Motion picture [Ballerina] 62-625- 62/404"
Telescopic and Content Annotation
ane moving picture reel ; sixteen mm.
box 62, particular F449
"Old Film [Ballerina]"
Scope and Content Notation
1 film reel ; 16 mm.
box 62, item F450
"'Old" Rev. title"
Scope and Content Note
i movie reel ; xvi mm.
box 62, item F451
"D11325. No Championship, U.C.S.D at SJ"
Scope and Content Note
1 film reel ; 16 mm.
box 54, particular C20
Morning Edition, 1992 September 11
Telescopic and Content Annotation
1 sound cassette of 1 ; 1/eight in.
box 57, item V11
Vilna Nights, 1993 March eleven
Telescopic and Content Note
1 videocassette of 1 (DV) ; iii/4 in.
box 54, detail C21
Fresh Air, 1995 September 18
Scope and Content Note
1 sound cassette of ane ; 1/8 in.
box 57, item V12-V13
Minetta Lane: A Ghost Story, 1995
box 57, item V12
Video
Scope and Content Note
1 videocassette of 1 (Betacam SP) ; 3/4 in.
box 57, item V13
Wrecking Brawl
Scope and Content Note
1 videocassette of i (VHS) ; one/ii in.
box 57, particular V14
Little Romances, 1995 October 1
Scope and Content Notation
1 videocassette of i (Video Record) ; 1/2 in.
box 54, particular C22
The Politics of Culture, 1999 May xviii
Scope and Content Note
one sound cassette of 1 ; 1/8 in.
box 54, detail C23
These Days, 1999 June 16
Scope and Content Note
Eleanor Antin on KPBS Radio; ane sound cassette of 1 ; 1/eight in.
box 54, item C24
Eleanor Antin and Howard Play a trick on, circa 1999-2001
Scope and Content Annotation
three sound cassettes of 3 ; i/viii in.
box 57, item C27
Lesung, 2007 June xix
Scope and Content Annotation
i videocassette of 1 (DAT) ; 1/4 in.
box 63, item D2
Stalin, 2010
Scope and Content Note
On characterization: 1-12; 11/08; 1 CD-R of 1 ; 4 three/four in. Contains writings on art.
box 54, item C25
Ely exercise tape sing, undated
Scope and Content Note
i audio cassette of 1 ; 1/eight in.
box 54, detail C26
E & D Antin, undated
Scope and Content Note
ane audio cassette of i ; one/8 in.
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Source: https://oac.cdlib.org/findaid/ark:/13030/c8251hgq/entire_text/