Smash the Cost of Art Full Episode Free Online
At the end of my very start Smash recap, I asked whether readers plant themselves rooting for Karen or Ivy. It was a legitimate question; co-ordinate to the testify'southward pilot, both characters were talented, likeable, and deserving. Only this night, Smash started bending over backwards to get us to favor Karen over Ivy — and I'm worried most what'll happen if the show continues down this path.
In "The Toll of Art," sweet Ivy suddenly transformed into a catty, cruel diva hellbent on making Karen miserable. As if that weren't enough, the rest of the ensemble immediately got in on the human action, sneering about Karen's corn pone roots (similar they're not all from Trenton or White Haven, PA) and telling her that everything from her clothes to the mode she walks into the rehearsal infinite is incorrect. (I was just waiting for one of them to say her outfit was state, and she looked country in information technology.) Boom'south creators are clearly smart, and it seems like they want their show to appeal to an as savvy audience. I wish, then, that they'd end making the beats of their story so anvilicious. Ambiguity is adept! We'll be invested in the series even if it has no obvious heroes or villains. Heck, I think that'd really make us more invested in the serial.
Granted, Megan Hilty is doing her best to brand Ivy's attitude seem like the result of deep insecurity rather than inexplicable bitchiness. That should at least keep her character from becoming irredeemable. Tonight's ending — in which Derek gives his leading lady some much-needed tough love — also gave me hope for Boom's futurity. Still, I wish this unconventional, potentially crawly show were truly dauntless enough to pass up a plot line equally boring and predictable as "small-town girl overcomes endless obstacles, including an entitled enemy."
Okay, bluster over. Every bit this evening'southward episode opens, rehearsals for Marilyn are finally getting underway. Even though the show's volume is about every bit finished as this basement. Suspension of disbelief, people! Later on Julia endures an unwelcome meet with Terrible Ellis and an incredibly bad-mannered chat with ex-lover Michael, The New Ivy enters, swathed in both The Sparkly Scarf of Triumph and a pair of celebrity-in-training shades. Later Derek announces her arrival, Marilyn's cast erupts in an ovation that lasts longer than Kim Kardashian's matrimony. Hey, did you lot know that Ivy is beloved, while Karen is all on her own? No? Don't worry; it'll be reinforced a few dozen more times.
Later on the gang runs through "20th Century Play a trick on Mambo," bulky chorus fellow member Sam — yous may recognize the player, Leslie Odom, Jr., from CSI: Miami or Red Tails — tells Karen that she'southward got a dandy voice. She humbly explains that she already knows the song, since she sang information technology in her Marilyn callback. And then Ivy swoops up behind Sam and says, in a faux-sweet voice, "Well, I'm singing it now." Ugh. See what I mean?
NEXT: "I Never Met a Wolf Who Didn't Dear to Howl," or, "When Y'all Got It, Flaunt It"
That evening, Julia gives Eileen a rundown of what happened on Day 1. The producer was too busy yelling at her lawyer to attend rehearsal — apparently, while Jerry's been gallivanting effectually boondocks, merrily daring women of all shapes and sizes to toss Manhattans in his confront, all her money has disappeared. At present Eileen has access to just a fraction of the $200,000 she needs to fund the workshop. Luckily, she also happens to have an incredibly valuable Degas sketch hanging on her wall.
New Original Song Alert! Marilyn's crew is rehearsing an incredibly catchy, bouncy tune with an insanely unwieldy title: "I Never Met a Wolf Who Didn't Beloved to Howl." And, similar Cassie Ferguson before her, Karen is finding information technology hard to fade into the chorus line. Her dancing'due south too exaggerated; her vocalization is too loud. Finally, Ivy asks if they can interruption for a minute and says with a strained grin that she'southward having trouble hearing herself: "The chorus is very… enthusiastic!"
Cheers to lunchtime ensemble gossip, Karen learns that Ivy and Derek are an particular. Equally she's trying to overcome her incredulity, Ivy and Tom share salads in Times Square. The blonde asks her buddy why nobody told her that her rival would be in the workshop's chorus; Tom blames the decision on Julia, so agrees to keep an middle on Karen during rehearsal.
Talk soon turns to teen star Lyle W, a erstwhile Broadway baby who's go a fixture on Telly. Co-ordinate to Ivy (via Derek, naturally), the director discovered the kid; Tom begs to differ, since Lyle's offset part was in an Off-Broadway musical he wrote. Either manner, Derek'south having a birthday party for Lyle at his apartment. I'k glad his imaginary gas trouble is all cleared up.
During accept two of "Wolf," Ivy's new-found malevolent powers begin to manifest. Karen gets moved to the back of trip the light fantastic cluster, snapped at by Ivy's friend Jessica, and finally kicked out of the number birthday. All Karen tin can do is complain nearly this injustice to Increasingly Less Perfect Dev, who'south suddenly constantly fastened to his ever-ringing phone. So Karen'south heel breaks! And she steps in canis familiaris poop! And everyone forgets her birthday!
Eileen, meanwhile, is undergoing similar humiliation. She takes her beloved Degas to a gallery, where a bespectacled fine art specialist tells her information technology could fetch "350" or "4" at sale. Since I know nothing virtually fine art, I accept no thought if he's talking hundreds of thousands of dollars or wampum or what. But either mode, Eileen can't just sell the sketch; Jerry bought information technology for her, and the bill of sale is all the same in his name. Damnit, Jerry!
Back at rehearsal, the gang gives u.s. a few snippets of another new vocal — a gorgeously harmonic Marilyn/DiMaggio duet chosen "History Is Made at Nighttime." Again, Karen's voice is overpowering the remainder of the ensemble. Come on — sing in, Louise. Once more, Ivy falters and implicitly blames Karen; over again, Karen is asked to sit down the number out.
Next: In which Karen grows a spine
Karen storms into the hallway. Jessica, looking similar a Steel Town girl on a Sabbatum nighttime, approaches her — and that'southward when Iowa finally snaps. She tells Ivy'southward pal that she and her friends are existence horrible, and that she knows Ivy'southward trying to get her fired. Furthermore, Karen spits, though she totally could have slept with Derek, she didn't and never would: "And that doesn't brand me stupid or lame or untalented." Eh, I practice recollect the series has established that Ivy and Derek accept an actual connectedness, and that she didn't simply slumber with him to get cast — but then, I'm conspicuously an Ivy apologist, so maybe that'southward neither here nor there.
Karen's surprise show of courage inspires Jessica to go all Regina George. In no fourth dimension flat, she and two other ensemble pals — their names are Bobby and Sue, considering Smash actually takes identify in 1956 — are taking Karen shopping for more adequate rehearsal-habiliment (is Dev paying for this or what?) and telling her how she should walk, talk and act if she wants to blend into the oversupply. If only that British dude from What a Girl Wants were around to tell Karen, "Why are you trying then hard to fit in when you were born to stand out?"
Julia suggests that Eileen attend Lil' Lyle West's birthday political party — mayhap the festivities volition become her heed off her money woes. She besides casually lets slip that Lyle happens to be a newly-minted millionaire, since his show'southward merely been sold into syndication. The ancient, creaky wheels in Eileen's head start to turn.
Fifty-fifty when she'due south hanging out with her sometime friend Chorus Sam in her apartment, Ivy is still obsessing over Karen. She tells Sam that with her vocalization and her presence, Karen is simply "too big" — that's got to be the get-go fourth dimension someone's said that nearly Katharine McPhee. Sam'southward busy aggressively proving his heterosexuality by reading Sports Illustrated, but he does brand fourth dimension to tell Ivy that she looks amazing in her secondhand, leopard-print Zac Posen dress. She, also, is going to Lyle'south shindig; Derek invited her himself, which may just prove that their relationship is more than a fling.
Ivy enters Derek's identify and finds that Lyle — a.k.a. Special Guest Star Nick Jonas — has been roped into entertaining the guests at his own birthday party. He's singing and playing a down-tempo version of Michael Buble's "Haven't Met You Yet." While the sequence would be better if information technology took place in the almost romantic grocery shop in America, Jonas sounds pretty swell all the aforementioned. Has anybody defenseless him in How to Succeed?
Tom'south missing the political party for a slow date with a dude named John. John is great on paper — Wharton MBA, law degree, certifiably dreamy optics — but a big sometime World of Snorecraft in person. No wonder Tom's mom wants him to get with this guy. Thankfully, John does seem to take a sense of humor… and when he starts complimenting Tom, the composer is instantly more interested. Somewhere, poor Dennis is doing sorry grand jetés in a darkened, silent room.
NEXT: The giant, fun production number nosotros've all been waiting for
Every bit a horrified Julia bumps into Terrible Ellis and Cyn, who are crashing Derek's soiree, Eileen springs into activeness. She leads Lyle into a bedroom — where she's stashed the Degas — and tells him to consider investing in art. Information technology's the only investment that'll never lose value. Why? Considering of "the Chinese." Await, what? In whatsoever case, Lyle is interested, but he doesn't want to part with $200,000 quite notwithstanding; offset, he'd similar to know if Marilyn is whatever good. Ahh, I love the odor of a production number at 10:40pm.
Karen isn't at the party — but she too isn't alone. Jessica, Bobby and Sue have pranced on over to her apartment, where they instantly begin merrily picking through her closet and declaring which items are and aren't adequate. Kind of similar Stacy and Clinton, except less orange. Subsequently, they scarf down some delivery with Iowa and a addled Dev. It isn't long before they're listing Karen's various deficiencies again. This fourth dimension, though, the trio may take a point; Bobby says that Karen doesn't understand how to blend into an ensemble. There'south just ane way to teach her how that's done: through the magic of dance.
And speaking of dancing… Eileen gets Julia to ask both Tom and Michael to come to the party. Soon after they arrive — Tom with date in tow — Lyle announces to his guests that Derek and Tom will be presenting a vocal from their new prove. Skillful affair Ivy wore that amazing dress! The sequence that follows is more straight-upward musical-y than anything Smash has done thus far. Though the musicians at Derek'southward apartment take never heard "I Never Met A Wolf" before, they magically know exactly how to keep upwards with Tom on the pianoforte; while Lyle's also unfamiliar with the song, he'southward singing along perfectly by the 3rd verse. The melody itself is and then fun that I don't care almost its credulity-stretching nature. After all, I'd much rather watch this than another scene in which characters perform an iTunes-ready single in a bar.
Everyone is ecstatic when the song ends — anybody only Ivy, that is, whose buzz is killed when she spies Derek touching a statuesque dazzler's behind. She decides to get back at him by brazenly coming onto Lyle; the teen is more then happy to take her advances. They terminate up walking in on Eileen, who'south saying a concluding farewell to her love Degas. "I was just looking at past happiness," she says, turning to expect at Ivy. "Y'all're my happiness now." Run, Ivy! She's going to suck your soul out through your mouth!!
Tom and John's bullheaded date is going swimmingly. Ivy'south nighttime, unfortunately, is not. She downs a drinkable and starts to caput out when Derek stops her. Ivy asks about the girl he was with, and Derek replies that she was a potential investor — he'southward non in a higher place flirting if it'll get money for Marilyn. Looks like someone took "Wolf"'s lyrics to heart. The chat, of class, turns to Ivy fretting about Karen, and Derek basically tells Ivy to get over herself — she got the function, but there'due south nothing prophylactic nigh being a star. Filled with a new resolve, Ivy follows Derek back to his bedroom.
Next: "I'1000 12, you jerk!"
Karen'due south new pals bring Iowa to a bar that's helpfully outfitted with a stage. You know, like all the confined in Manhattan. They go the DJ to play Adele's "Rumor Has Information technology," then start performing the dance routine they taught Karen in her apartment. At first, information technology seems like she's really taken their words to heart — though the camera's angled so that Karen'due south in the foreground, she'due south managing non to pull focus as she bounces to the beat.
Simply earlier long, Karen's dancing in front of the catty trio — and so "Rumor Has Information technology" becomes a backing track to her own vocals. Looks like someone might not be ready to step out of the spotlight after all.
Footlights:
– Recognize John, Tom'south date? That may be because he once made out with Chuck Bass on an episode of Gossip Girl.
– Julia celebrates the showtime of rehearsals by ditching her world-toned haute Snuggies for colorful patterns and cinched waists. Well done.
– I really desire to know more most what it means to exist the Iowa Country Fair'due south Gold Sprout Champion.
– And then the entire ensemble of Heaven on Earth is in Marilyn as well? When exercise these people sleep?
– I loved when that chorus guy called Derek "the Dark Lord," just in that location's no way he'd turn that into a Lord of the Rings reference. U.s.a. tardily '80s babies prefer Harry Potter.
– Blast features way likewise many scenes in which the characters enthuse to each other well-nigh how fabled Marilyn is. Show, don't tell!
– Though they're definitely broadly drawn, I kind of love Jessica, Bobby and Sue. Their capricious nature and (especially) the way they're constantly clinging to each other rings very true; I could swear I went to theater camp with these kids.
– My favorite substitution of the dark was Derek telling Lyle, "This is very precocious behavior for a 15-year-old" and Lyle responding, "I'm 12, you jerk!"
– Or wait, maybe it was this — Waitress to Eileen: "You know, Mrs. Rand, I'k an actress. And a dancer!" Eileen to Waitress: "Non at present, sweetheart."
– Of import plot nugget: According to Lyle, Derek and Tom used to be best friends. Say whaaa?
– Of course Karen hates shots.
If next week'due south previews are to be believed, Ivy's days as Marilyn may already be numbered. Here's hoping this at least means she'll get to be a sympathetic graphic symbol again. How did you experience well-nigh "The Cost of Art" — and practise you call back there's hope for Ivy?
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Source: https://ew.com/recap/smash-season-1-episode-4/